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Khamba Thoibi
Pung Cholom
Maibi Dance
Nupa Pala
Ras Lila
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Walled
on all sides by ranges of hills with poor infrastructures for development
so far as overall development is concerned, this little part of the globe-Manipur
has been identifying itself to the people living in India as well as
abroad through its rich arts and culture.Love of art and beauty is
inherent in the people and it is difficult to find a Manipuri girl who
cannot sing or dance. Much has been written on the Manipuri dance, on its
lyrical beauty and rhythm.
Manipur presents a mosaic of traditions and cultural patterns.
Particularly, it is world famous for the Manipuri style of classical
dance, very much distinct from other Indian dance forms. The Manipuri
school of dancing whether folk, classical or modern, is devotional in
nature.
The folk dances of tribal people captivate
the beholders with their exotic costumes and simple but graceful rhythm.
Their folklore is quite rich in quality. The dances of the tribal people
are both ritualistic and recreational, religious and temporal. The ritual
dances are performed at a particular rite or ceremony or sacrifice and
these dances naturally have a spiritual and religious basis.
The dances of the tribal people have a high
artistic and aesthetic value.The folk dances of tribal people captivate
the beholders with their exotic costumes and simple but graceful
rhythm.Their folklore is quite rich in quality. The dances of the tribal
people are both ritualistic and recreational, religious and temporal. The
ritual dances are performed at a particular rite or ceremony or sacrifice
and these dances naturally have a spiritual and religious basis. The
dances of the tribal people have a high artistic and aesthetic value.
The rich culture and tradition of the
Manipuris are also depicted in their handloom clothes and handicrafts. The
Manipuri handloom and handicraft are world famous for its craftsmanship as
well as ingenuity, colourful, colourfulness and usefulness.
The people are artistic and creative in
their thinking and outlook. The creativeness in their habit and tradition
has found expression in the designing of handloom and handicrafts
products. The handloom products are as varied and colourful as the
individual needs and tastes. Bed sheets and covers, colourful tribal
shawls curtains and screens, sarees and gowns of Manipur find markets
throughout India and abroad. Their handloom and handicraft products sold
by ladies in Khwairamband bazar, the largest women's market in the
country, are favourite pieces of souvenirs for the visiting tourists.
The colourful tribesmen are the dwellers of
the blue mountains which surround the green and fertile valley in the
centre. Each of these tribes has their own distinct culture and tradition
which find expression in their dance, music, dress, customary practices
and pastimes. A tribesman represents a tradition, a way of life , a
cultural heritage and love for life and beauty. The culture of tribesmen,
their love and need for leisure and creation find eloquent expression in
their various dances and music. Dance and music have been part and parcel
of tribal life. They are very simple and their way of life is gay.  |
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Khamba Thoibi dance is a duet of male
and female partners, a dance of dedication to the sylvan
deity, Thangjing of Moirang , is the depiction of the dance
performed by Khamba and Thoibi, the hero and heroine of the
Moirang episode of the hoary past. This, with the "Maibi"
dance (Priestess dance) , the "Leima Jagoi" etc. form the
"Laiharaoba" dance. The "Laiharaoba" dance , in many ways, is
the fountainhead of the modern Manipuri dance form.This dance
is a part and parcel of Moirang Lai-Haraoba. It is belived
that the legendary hero - Khamba and heroin - Thoibi danced
together before the Lord Thangjing, a celebrated deity of
Moirang, a village in the South-West of Manipur which is known
for its rich cultural traditions, for peace and prosperity of
the land.
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| Pung
Cholom
Pung or Manipuri Mridanga is the soul of Manipuri
Sankritana music and Classical Manipuri Dance. It assumes an important
ritual character, an indispensable part of all social and devotional
ceremonies in Manipur, - the instrument itself becoming an object of
veneration. Pung Cholom is performed as an invocatory number preceding the
Sankirtana and Ras Lila. It is hignly refined classical dance number
characterised by the modulation of sound from soft whisper to a thunderous
climax. .
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There is the interplay of intricate rhythms and cross rhythms with varying
markings of time from the slow to the quick with graceful and vigorous
body movements leading to ecastic heights |
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During the festival of Lai-Haraoba
which is an annual ritual festival of the Meiteis, the
inhabitants of the valley of Manipur, the Maibis, the
priestesses considered to be spritural mediums, trace through
their dances the whole concept of cosmogony of the Meitei
people and describe their way of life. Begining with the
process of creation, they show the construction of houses and
various occupations of the people to sustain themselves. It is
a kind of re-living of the way of life of the past.
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| Nupa Pala
Nupa Pala which is otherwise known as
Kartal Cholom or Cymbal Dance is a characteristic of the
Manipuri style of dance and music. The initial movements of
this dance are soft and serene , gradually gathering momentum.
It is a group performance of male partners, using using
cymbals and wearing snow white ball-shaped large turbans, who
sing and dance to the accompaniment of Mridanga, an ancient
classical drum "Pung" as it is called in Manipuri. The Nupa
Pala acts as a prologue to the Ras Lila dances, besides an
independent performance too, in connection with religious
rites.
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| Ras Lila
The Ras lila, the epitome of Manipuri
classical dance is inter-woven through the celestial and
eternal love of Radha and Krishna as has been described in the
Hindu scriptures and reveals the sublime and transcendental
love of Krishna and Radha and the Gopies' devotion to the
Lord. It is generally performed in an enclosure in front of
the temple throughout the night and watched with a deep sense
of devotion. Ras performances are seasonal and varied and
performed at the temple of Shree Shree Govindajee in Imphal on
the nights of Basanta Purnima, Sarada Purnima and Kartik
Purnima and at local temples later. As to the composition, the
performance is a combination of solo, duet and group dances.
This highly stylised form of dance has sublimity, subtlety and
grace. The richness of the costumes gives lustre to the beauty
of the art.
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